H.H. 第三世多杰羌佛

關於“第三世多杰羌佛”佛號的說明

關於“第三世多杰羌佛”佛號的說明 二零零八年四月三日，由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》記實一書在美國國會圖書館舉行了莊嚴隆重的首發儀式，美國國會圖書館並正式收藏此書，自此人們才知道原來一直廣受大家尊敬的義雲高大師、仰諤益西諾布大法王，被世界佛教各大教派的領袖或攝政王、大活佛行文認證，就是宇宙始祖報身佛多杰羌佛的第三世降世，佛號為第三世多杰羌佛，從此，人們就以“南無第三世多杰羌佛”來稱呼了。這就猶如釋迦牟尼佛未成佛前，其名號為悉達多太子，但自釋迦牟尼佛成佛以後，就改稱“南無釋迦牟尼佛”了，所以，我們現在稱“南無第三世多杰羌佛”。尤其是，二零一二年十二月十二日，美國國會參議院第614號決議正式以His Holiness來冠名第三世多杰羌佛（即 H.H.第三世多杰羌佛），從此南無第三世多杰羌佛的稱位已定性。而且，第三世多杰羌佛也是政府法定的名字，以前的“義雲高”和大師、總持大法王的尊稱已經不存在了。但是，這個新聞是在南無第三世多杰羌佛佛號未公佈之前刊登的，那時人們還不瞭解佛陀的真正身份，所以，為了尊重歷史的真實，我們在新聞中仍然保留未法定第三世多杰羌佛稱號前所用的名字，但大家要清楚，除H.H.第三世多杰羌佛的名字是合法的以外，在未法定之前的名字已經不存在了。

（本報華府報導)

由美國、加拿大、墨西哥等三十四個國家組成的美洲國家組織於七月二十八日在美國首府華盛頓主辦一場針對各國大使及美國參、衆議員爲主觀賞的《義雲高大師韻雕藝術作品展》。由前哥倫比亞總統現任美洲國家組織秘書長凱薩.蓋維瑞雅親自主持。參觀者均留下震驚性的評價，高度讚賞義雲高大師（H.H.第三世多杰羌佛）為人類首次帶來精美絕倫的韻雕藝術，超越自然，實爲「佛斧神工」，是人類首次出現複製不了的藝術。

    在衆人的殷切期盼下， 義雲高大師（H.H.第三世多杰羌佛）與美洲國家組織秘書長凱薩.蓋維瑞雅並肩，由美洲國家組織禮賓司長安娜.歐布萊恩引導進入展廳會場，義大師夫人王玉花敎授及其子女緊隨在後，現場立刻響起了嚦啪啦的掌聲，鎂光燈喀喳聲此起彼落，來自於世界各國的新聞記者在講台前擠得水泄不通。

    美洲國家組織在簡介中指出， 義雲高大師（H.H.第三世多杰羌佛）出生在中國，現定居在美國，爲傑出的硏究員及大學敎授。 義雲高大師（H.H.第三世多杰羌佛）的韻雕藝術在美國創始成功，是歷史至今 義雲高大師（H.H.第三世多杰羌佛）爲人類創始的， 是超越自然美的藝術精魂。 義雲高大師（H.H.第三世多杰羌佛）所雕刻成的鵝卵石，在石洞中更有美不勝收的玄妙幻化天地，並有祥霧繚繞、妙趣無窮的氣體，他是唯一能用雕刻將氣體表現出來的創始人，大師雕刻的功夫使他的作品成了當今世界無法複製的藝術。大師的韻雕令人心曠神怡，難以言表。無論是中國廣西溶洞、蘆笛岩、大峽谷、哥倫比亞溶洞等等都比不上雲高大師（H.H.第三世多杰羌佛）的不可思議而美不勝收的雕刻藝術，無論從層次之變化莫測、色彩之富麗堂皇、造化之自然天成都是韻雕超於自然之美，實在是人間找不到的。 這些絕世珍品的誕生，完全來源於雲高大師（H.H.第三世多杰羌佛）崇高的境界、淵博的學識和洞悉宇宙萬物生長變化的規律。

    美洲國家組織秘書長皆由各國總統中優選出來，現任秘書長凱薩.蓋維瑞雅現領導美洲國家組織，該組織鑒於 義雲高大師（H.H.第三世多杰羌佛）爲世界人類做出的巨大藝術貢獻，因此美洲國家組織特地在華盛頓首府主辦大師的韻雕展覽，由美洲國家聯盟組織秘書長凱薩.蓋維瑞雅 (Cesar Gaviria) 博士主持開幕儀式，此次展覽作品分兩大類： 韻雕原作三件「神秘石中霧」、「高士圖」和 「堂皇塊石兮」及二十六件韻雕圖片的展示。

凱薩.蓋維瑞雅在致詞中說：「 義雲高大師（H.H.第三世多杰羌佛）是被認證的佛敎大法王，在佛敎中達到了至高的成就，在哲學、科學等都達到了登峰造極的境界，所以才有這樣最高藝術境界出現，爲人類帶來了美好的享受，爲世界人類做出了最大的藝術貢獻，大師各方面的成就讓我們的組織來辦此展覽，使我們組織感到非常光彩。」 千里達共和國大使瑪瑞娜.瓦勒瑞讚嘆義大師（H.H.第三世多杰羌佛）的作品猶入幻化境，這種藝術的體驗讓人感覺這個作品的完成必定是來自於超越人類的無形力量引導著那隻創作的手，創造出如此無可言表的藝術，感人肺腑。出席此次展覽的貴賓哥倫比亞卡洛斯大使、巴貝多大使邁可.金、葛瑞那達大使、烏拉圭阿爾瑪大使、巴拉圭崔斯大使等若干大使各個都被作品醉迷在展廳，來回迂走讚不絕口。此外，美國衆議院議員哈瑞漢走到「堂皇塊石兮」作品前不停地點頭，口中喃喃自語地說：「不可思議！ 不可思議！ 」 美洲國家組織禮賓司長安娜.歐布萊恩說： 「當然不可思議！眞令人震撼！」白宮總統亞太顧問委員會主席祖炳民博士說：「這是佛斧神工，這是超越自然，前無古人，沒有人能夠複製模仿。」他還說：「老布希總統見了作品以後讚嘆得不得了。」貝里斯總理資政大衛說：「今天來了這麼多人，個個都讚嘆，個個都吃驚，我還沒有看到一個不讚嘆的。」 這次的展覽現場參觀者衆多，盛況空前。許多人圍在韻離作品面前嘖嘖驚嘆，都說展覽時間太短，應給以長時間讓全世界的人都能欣賞到這美不勝收的藝術。

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SIXTEEN STYLES OF PAINTING AND PURCHASE OF PAINTINGS

After viewing the exhibits on display at the International Art Museum of America, many people mention that paintings created by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛), which are among those exhibits, are divided into sixteen different styles of painting.  They want to have a more detailed understanding of those sixteen styles of painting.  Therefore, we provide below a brief introduction to those different styles.

 

The achievements of H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) are myriad.  Let us put aside for now twenty-nine of the thirty large categories of achievements contained in the book H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛).  With respect to only one of those thirty large categories-painting achievements- H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) has founded sixteen different styles of painting.  This is in addition to being able to paint paintings of all other currently existing schools, such as the realist, abstractionist, and impressionist schools.  The sixteen distinctive styles of painting that H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) has independently created are as follows: 1.The “Chaoshi” style; 2.The “Chouxiang Yunwei” style; 3.The “Wenfeng” style; 4.The “Fangfa” style; 5.The “Menglong” style; 6.The “Xiangtong” style; 7.The “Fanjuan style; 8.The “Pomo Xiantiao Xiezhen” style; 9. The “Weiyin” style; 10. The “Fanpu” style; 11.The “Miaoxie” style; 12.The “Pomo Weiyun” style; 13.The “Kuangxi” style; 14.The “Yousi” style; 15.The “Banqi” style; 16.The “Thickly Piled Patches of Color” style.

 

H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) has an extremely serious attitude toward the art of calligraphy and painting.  Although He has painted more than 10,000 paintings, He has nonetheless burned up almost all of them.  As long as H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) is dissatisfied with a painting He painted, He will surely burn it up.  There have been numerous occasions when He openly burned up His paintings, including those that were already nicely mounted.  Such is the unusual conduct of one with a sense of responsibility toward art.  It has been determined through investigation that there are now only 197 authentic paintings by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) that exist in the world.

 

Nevertheless, the International Art Museum of America is also unsurpassed in the entire world in the variety and number of authentic paintings by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) that it has collected and displayed. However, at the present time, our museum still has not collected paintings of the sixteenth style of painting called “Thickly Piled Patches of Color.” Our museum is also somewhat deficient in a small portion of the other fifteen styles of painting.  Additionally, as the inherently highest leader of Buddhism in the history of Buddhism, H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) is busy benefiting living beings and performing Buddhist matters, and thus has no time to paint. Furthermore, H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) has clearly refused to ever accept a request from the International Art Museum of America to purchase from Him any of His works of art.

 

Therefore, our museum has decided to purchase paintings by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) from art collectors in society.  However, as the value of paintings by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) has risen, numerous counterfeit paintings have appeared in society.  Many of these counterfeit paintings are stamped with seals that H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) previously used.  Such seals were stolen from H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛)) in 2001.  Consequently, it is difficult to differentiate counterfeit paintings from authentic paintings.  That is why the International Art Museum of America has established strict inspection procedures for its purchase of any painting by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛)

 

Our museum will purchase any authentic painting by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) that is stamped with His three-dimensional fingerprint seal (either on the front or back of the painting) and is a type of painting our museum is deficient in or does not have.  The purchase price for such a painting will be US$300,000 to US$900,000 per square foot, depending on the level or grade of the painting.  Our museum will purchase any oil painting by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) that belongs to the “Thickly Piled Patches of Color” style of painting that He founded.  Whether such a painting is one of scenery or one of flowers and plants, its purchase price will be US$1,000,000 per square foot.  However, if it is a sunflower or water lily painting in the “Thickly Piled Patches of Color” style, as long as it is proven to be an authentic painting signed by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛), whether or not it has a fingerprint seal, its purchase price will be more than US$1,000,000 per square foot.  Although our museum is currently displaying on a temporary basis three paintings lent to it that were created by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛) and that belong to “The Thickly Piled Patches of Color School,” our museum is still seeking to purchase paintings in this style.

 

Those willing to sell any such paintings that they themselves have collected should first mail to the International Art Museum of America a photograph of the painting.  The three-dimensional fingerprint seal on the painting should be enlarged to at least two square inches.  After an initial evaluation of the photograph is made, notice will be given to examine the painting itself.  In that examination, no evaluation or recommendation from an artist whose works are exhibited at the International Art Museum of America will be accepted.  Only experts hired by the museum will examine and determine the authenticity and price of all such paintings.

The following is a brief introduction to the sixteen styles of painting created by H.H. Dorje Chang Buddha III (H.H. 第三世多杰羌佛)：

 

1. The “Chaoshi” style：
Such paintings are even more lifelike, appealing detailed, and beautiful than the actual subjects they portray.

2. The “Chouxiang Yunwei” style：
The true appearance of the subject portrayed is changed in these captivating ink-wash paintings, resulting in an unconventional image that both looks like yet does not look like the actual subject.

3. The “Wenfeng” style：
Brushwork skills suggestive of scholarliness and poetic charm embody these paintings.

4. The “Fangfa” style：
This delightful painting style is lively yet natural, producing a dynamic and fascinating effect from scattered ink.

5. The “Menglong” style：
Realism and non-realism are combined to capture the image of the subject portrayed, resulting in a seeming likeness but actual non-likeness of the subject.  Brush strokes and color application produce a strong fanciful look to these paintings, a lovely, hazy look in which the real and the surreal mingle.

6. The “Xiangtong” style：
There is a rustic and childlike charm to these paintings.  With the mindset of an innocent child, the artist casually wields his brush without being led by pre-conceived notions, applying a seasoned adeptness that conveys an impression of simplicity and purity.

7. The “Fanjuan style：
Numerous strokes of the brush reveal an air of scholarliness.  Although a myriad of brush strokes are applied, there is no sense of disorder; rather, rather, artistic talent based on profound and extensive knowledge is expressed.

8. The “Pomo Xiantiao Xiezhen” style：
The splash-ink technique is merged with the center brush-tip technique to create realistic paintings of landscapes.

9. The “Weiyin” style：
These impressionist paintings have reached such a high level that if any small portion of the full painting were isolated, it would be an exquisite impressionist painting in and of itself.  These paintings express a dreamy, illusory state, and any small part of them can be enlarged to form its own beautiful, aesthetically enjoyable painting.

10. The “Fanpu” style：
These paintings express that artistic conception of returning to original purity and simplicity.  With unfettered hand and mind, the artist applies his most mature skills free of the slightest attachment and with minimal, natural strokes of the brush.

11. The “Miaoxie” style：
Subtle, fine brushwork and freehand brushwork blend into one.  White lines are formed through the delicate, refined, marvelous application of ink rather than through the use of white paint.  The artist produces the effect of a realistic painting with meticulous attention to detail even though He applies the freehand style.

12. The “Pomo Weiyun” style：
Although bold and vigorous hues of watery ink are used, a rich charm is evinced that is both subtle and wonderful.

13. The “Kuangxi” style：
Such paintings fuse rough and precise artistry.  The roughest, most rigid, most vigorous brush strokes of the large-scale freehand style are masterfully combined with the fine, delicate brush strokes of the realistic style, resulting in elegance amid roughness.

14. The “Yousi” style：
Mostly applied in figure painting, this technique uses gossamer-like fine lines to form the contours of the subject.

15. The “Banqi” style：
Such paintings appear to be in the style of those imprinted from engraved plates, but they also manifest the flair of the brush.  Deep within them is an inexhaustibly enchanting quality that is both natural and lively.  They are ink-wash paintings, not paintings imprinted from engraved plates.

16. The “Thickly Piled Patches of Color” style：
Thickly applied oil colors are piled up, giving the painting a three-dimensional look with elegant, vigorous charm.  The overall effect is produced through rough brushwork and a sense of surrealism.

 

#義雲高  #義雲高大師  #第三世多杰羌佛  #仰諤益西諾布大法王  #仰谔益西诺布大法王  #正法聯盟   #义云高大师   #义云高

此文章連結如下：
https://holydharma.net/2018/04/08/sixteen-styles-of-painting-and-purchase-of-paintings/

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